Maatr marks the return of Raveena Tandon, who was last seen in a cameo appearance in Bombay Velvet. It is directed by Ashtar Sayed and also stars Madhur Mittal, Divya Jagdale, Shailender Goyal, Anurag Arora, Saheem Khan and Rushad Rana among others. Also Read - SP Balasubrahmanyam in ICU: India Prays For The Legendary Singer as His Sister Says He's Stable

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Vidya’s (Raveena Tandon) and her daughter, Tia (Alisha Khan) are abducted and gang-raped by Chief Minister’s son Apurva Malik (Madhur Mittal), his uncle and five of his friends. After the death of her daughter, being abandoned by her husband and being subjected to an unfair treatment by law, she decides to take things in her own hands and walks down the path of vengeance. Whether she succeeds or not…forms the remaining plot of the film. The film at its core is a simple story of rape-revenge-thriller but what makes it special is it’s the shattered mother that turns vigilante… Also Read - Raveena Tandon on Dark Side of Bollywood: Been Removed From Films by Heroes, Their Girlfriends

What’s Hot

The first ten minutes of the film are the most unsettling experience I’ve ever had while watching a film in a long time. Having said that, the film scores most in the performance section. Each and every cast member gives a riveting performance. Raveena Tandon who is seen as a main lead on the big screen after 11 years nails her part of a grieving, vulnerable, broken mother. Without giving much away, there is a scene in the film where her character says, “It’s okay…it’s okay” to an agitated teenage girl who has just witnessed a murder, disguised as death. In that particular moment albeit a brief one, she portrays anger, sympathy, happiness, and menace, all at once.

A film works well when, in order to counter a strong hero, you have an equally strong, if not better, villain. Madhur Mittal as loathsome Apurva Malik, makes sure you have nothing but sheer hatred for his character from the first scene till the very last. Madhur has acted in quite a few Hollywood films like Slumdog Millionaire and Million Dollar Arm and his menacing turn as rapist cum murderer is sure to get his character the brickbats and his performance the bouquets. I was bowled over by his performance. He is, in fact, the major reason you are engrossed in the film, if at all. Shoutout to the actors who played his friends and creepy uncle. ALSO READ: Raveena Tandon on CBFC ban on Maatr: How long will we run away from the truth?

Divya Jagdale as Ritu (Vidya’s friend) and Anurag Arora as Inspector Jayant Shroff are first rate.

Talking about the revenge part of the film, here most of the murders she plans are engaging. What I liked most about her revenge driven avatar was the fact that she didn’t overnight turn into a butt-kicker, even during the act of vigilantism, she was still a grieving mother and her fist fights were not well choreographed but rather messy which gave the film the realistic feel. The cinematography too helps the film get a realistic feel.

What’s Not

While the film scores well in acting department, it falters mainly in its execution and choppy editing. My first concern was the way Vidya’s husband (Rushad Rana) reacts when he is told that his wife and daughter are missing and subsequently when he is told his daughter is dead. I don’t know if it was intended by the director or not, the whole initial sequence involving her husband sort of trivializes the issue. I felt the character of her husband was shoddily written. That slackens the narrative whenever he appears on the screen. The good thing is his scenes are few.

If at all it acts a roadblock. Also while I liked the way, the initial murders are planned by Raveena’s character, the logic and common sense goes for a toss as she progresses her way towards the main boss. Even though you feel the angst while she finally avenges her daughter, the climax is underplayed and looks straight outta 80s movie. The film tends to get melodramatic at times but is saved by the performances.

Talking about choppy editing, there are few scenes where a dialogue can be heard but you can clearly see no lip movement by the actors involved.

At various junctures the transition from one scene to another was not smooth.

Also, I want to know if Vidya’s friend Ritu lives or not? If only the film was directed by an experienced director.

What To Do

The film has its fair share of drawbacks and rides mostly on the performances of its lead cast especially Raveena Tandon and Madhur Mittal’s. Despite being a bumpy ride, film somehow sails through as it gives the culprits involved the poetic justice and you as a viewer and part of Vidya
s journey, a satisfaction. Watch it for its performances and the story.