Netflix India’s top 10 most-watched films is a mix of blockbusters and underdogs, a non-star film ranks at no. 4

From theatres to OTT, these blockbusters are still setting screens on fire, especially RRR, which has been ruling Netflix for over 1000 days.

Well, we all have seen viewers’ shift from big screen to OTT now, and Netflix India just dropped a list of its Top 10 most-watched films, and it’s a mix of blockbuster action, emotional drama, and small-budget gems that turned into OTT favourites.

Any guesses, who is at the top? No surprise here, it’s SS Rajamouli’s RRR is sitting right at the top. The mega-hit, which stormed the box office, has also shattered records on OTT with 43.65 million views so far. Even after three years (1095 days) on the platform, it’s still unstoppable.

The film stars Jr. NTR, who is also known as Tarak, Ram Charan in the lead roles, while Alia Bhatt and Ajay Devgn are also in the film, marking their south debut.

“I’m glad both Tarak and Charan agreed to be part of this project. Even if one of them said no, I wouldn’t have taken up this subject. Charan will play young Alluri Seetharama Raju and Tarak as young Komaram Bheem,” Rajamouli said.

Who’s next in line after RRR?

It’s Jawan, of course. Shah Rukh Khan’s massive hit, directed by Atlee, raked in Rs 640 crore at the box office—and is now pulling huge crowds on Netflix too. With 31.90 million views, Jawan is currently the most-watched Bollywood film on Netflix.

Complete list

The list has a healthy mix of commercial entertainers and critically acclaimed films. Check out the top 10:

1. RRR (Hindi) – 43.65 million views
2. Jawan – 31.90 million
3. Gangubai Kathiawadi – 29.64 million
4. Laapataa Ladies – 29.50 million
5. Animal – 29.20 million
6. Crew – 27.20 million
7. Maharaja – 27.10 million
8. Fighter – 26.30 million
9. Lucky Bhaskar – 26.30 million
10. Shaitaan – 24 million

OTT audiences are loving a mix of massy blockbusters (RRR, Jawan, Animal) and fresh, rooted stories (Laapataa Ladies, Maharaja). It also signals a shift—it’s no longer just about theatrical success, but how long a story can live online.